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Further Phoenix
at Rio's Attic:

Paramount Studios/Pictures

Los Angeles

Peter Bogdanovich

Carol Heikkinen

Samantha Mathis

Dermot Mulroney

The Thing Called Love

New Line Cinema

Academy Awards

All in the Family

Nashville

Miranda Presley

Kyle Davidson

Twilight Zone: The Movie

Alfred Hitchcock

The Birds

Marnie

Driving Miss Daisy

The Blues Brothers

Trading Places

Spies Like Us

Tango and Cash

Arizona

Rosebud

Bruce Beresford

John Davis

George Folsey Jr.

Darlene K. Chan

Texasville

Michael Seymour

Coming to America

Into the Night

Three Amigos

An American Werewolf in London

Clue

National Lampoon's Animal House

George Folsey Sr.

Carolco Pictures

Randy Feldman

Alive and Well

Peter James

Rich in Love

Black Robe

Mister Johnson

The Right Hand Man

Rebel

Caddie

Willie Willie

Alive

Echoes of Paradise

The Wild Duck

The Irishman

Alien

Revenge

Mr. Destiny

The Bride

Eureka

Ghost Story

S*P*Y*S

Theatre of Blood

Gumshoe

Entertaining Mr. Sloane

The Knack

Blow-Up

Robbery

Isadora

Terry Stokes

Space Rangers

Suburban Commando

Book of Love

The Blob

A Nightmare on Elm Street III: The Dream Warriors

Slamdance

Critters III

Critters IV

Rita Riggs

Mr. North

An Officer and a Gentleman

Giorgio Yes

Bite The Bullet

Cinderella Liberty

Cold Turkey

Petulia

Divorce, American Style

The Professionals

Psycho

Edith Head

Broadway Bound

Sanford and Son

Maude

The Jeffersons

Good Times

One Day at a Time

Mary Hartman, Mary Hartman
Rio's Attic: Celebrating the Life and Times of a Dearly Missed River Phoenix
The Thing Called Love Press Kit
Page Nine


Novice country songwriters Miranda Presley (Samantha Mathis) and Kyle Davidson (Dermot Mulroney) come to Nashville to further their careers only to find their plans complicated by matters of the heart in "The Thing Called Love." The Paramount film was directed by Peter Bogdanovich and produced by John Davis. The screenplay was written by Carol Heikkinen. George Folsey, Jr. is the executive producer and Darlene K. Chan is the co-producer.

Executive producer GEORGE FOLSEY, JR.'s films as producer include "Coming to America," "Into the Night," "Three Amigos," "Spies Like Us," and "An American Werewolf in London." His films as executive producer include "Clue" and "Trading Places." Folsey began his motion picture career editing such films as "The Blues Brothers" and "National Lampoon's Animal House." He was associate producer of "Twilight Zone -- The Movie" and "The Blues Brothers."

Folsey is the son of late cinematographer George Folsey, Sr.

"The Thing Called Love" is screenwriter CAROL HEIKKINEN's first screenplay to be produced. She completed a previous script while enrolled in a UCLA screenwriting class and it was brought to the attention of John Davis and Darlene Chan, who were so impressed by the writing that they asked to see what else Heikkinen had written and then discovered "The Thing Called Love."

Heikkinen left Phoenix, Arizona to study advertising at Syracuse University. Upon graduation, she headed to Los Angeles, but wasn't able to find employment in her chosen field. She settled for an assistant's position at Carolco Pictures in the television division. She eventually became an assistant to writer Randy Feldman, who was working on "Tango and Cash."

After studying screenwriting in a UCLA Extension course, Heikkinen won the Diane Thomas Award for her first screenplay, "Alive and Well."

PETER JAMES, A.C.S. (Director of Photography) made his American film debut with Best Picture Academy Award winner "Driving Miss Daisy" and also worked with director Bruce Beresford on "Rich in Love," "Black Robe," which brought him Canadian and Australian best cinematography awards, and "Mister Johnson."

James also won Australian cinematography awards for "The Right Hand Man," "Rebel," "Caddie," and "Willie Willie." His other films include "Alive," "Echoes of Paradise," "The Wild Duck" and "The Irishman."

Production designer MICHAEL SEYMOUR received an Academy Award nomination and a British Academy of Film and Television Arts award for "Alien." His films include "Revenge," "Mr. Destiny," "The Bride," "Eureka," "Ghost Story," "Rosebud," "S*P*Y*S," "Theatre of Blood," "Gumshoe," and "Entertaining Mr. Sloane."

Seymour began his film career as an assistant art director for "The Knack" and "Blow-Up" and then worked as art director of "Robbery" and "Isadora."

Editor TERRY STOKES's films include "Space Rangers," "Suburban Commando," "Book of Love," "The Blob," "Nightmare on Elm Street III: The Dream Warriors," "Slamdance."

Stokes created the EPIX electronic editing system and edited two features for New Line Cinema using the process: "Critters III" and "Critters IV."

A graduate of Syracuse University, he began his film industry career as editor and producer of theatrical and broadcast advertising materials, which included trailers, teasers, featurettes, and TV campaigns for the major studios.

RITA RIGGS (Costume Designer) previously worked with director Peter Bogdanovich on "Texasville." Her films include "Mr. North," "An Officer and a Gentleman," "Yes, Giorgio," "Cattle Annie and Little Britches," "The Idolmaker," "Night Moves," "Bite The Bullet," "Cinderella Liberty," "Cold Turkey," "Petulia," "Divorce, American Style," and "The Professionals."

Early in her career Riggs designed costumes for Alfred Hitchcock's "The Birds" and "Psycho" under the apprenticeship of Edith Head; and for "Marnie" on her own.

Riggs has also been a costume designer for television productions, including the telefilm "Broadway Bound" and such series as "All in the Family," "Sanford and Son," "Maude," "The Jeffersons," "Good Times," "One Day at a Time," and "Mary Hartman, Mary Hartman."


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